“You know I didn't want to have to haunt you / But what a ghostly scene”
Community readers parallel the speaker's reluctant haunting with Heathcliff's plea in Wuthering Heights, Heathcliff begs the dead Catherine to haunt him rather than leave him alone in her absence. The song stages the inverse arrangement: the haunting is offered, but as accusation rather than as consolation. Catherine's haunting in the novel is presence-as-love; the speaker's here is presence-as-judgement, a fame so total she is literally everywhere the antagonist looks.
“I'd meet you where the spirit meets the bones”
Community readers liken the song's haunted love triangle to Wuthering Heights, casting the narrator as the ghost of Catherine Earnshaw returning to the living Heathcliff while bound to her husband Edgar Linton. The reading gives the song's grave imagery and impossible, deathless attachment a Gothic precedent, and chimes with the catalogue's wider interest in a love that persists past its own ending.