Episode 33

August – The Folklore Love Triangle Part 1 | The Swiftie and The Scholar

august

Angela & Uncle Jerry begin their multi-episode deep dive into the folklore love triangle, starting with august. Uncle Jerry introduces the Rashomon Effect, dis-narration, split narratives, and dramatic irony as frameworks for understanding the three interconnected songs.

Key Insights

Uncle Jerry frames the folklore love triangle as an example of the Rashomon Effect — three narrators describing the same events from different perspectives, each offering their own partial truth. He identifies a non-linear, split narrative structure across the three songs, with august situated in the near future (weeks or months after the summer), betty in the immediate fall, and cardigan years later. The concept of dis-narration is applied: each narrator leaves out parts of the story, so the full picture only emerges from all three together. Uncle Jerry argues that the three songs together constitute folklore in the collaborative-narrative sense, and that the cumulative effect creates dramatic irony — the reader/listener knows more than any single character. He also identifies a secondary time shift within august itself, where the bridge appears to come from an even later vantage point than the verses.

Literary Analysis

Angela & Uncle Jerry apply several literary and analytical frameworks. The Rashomon Effect (named after Akira Kurosawa's film Rashomon, drawn from Karl G. Heider's 1988 article on ethnographic disagreement) is used to explain how three narrators describe the same events with different, perspective-dependent truths. The parable of The Blind Men and the Elephant is cited as a parallel illustration. Dis-narration (drawing on Marina Lambrou's work) explains how each song's narrator omits information, disrupting the full narrative flow. Uncle Jerry discusses the Anglo-Saxon poetic tradition extensively, caesura (called 'Saishura' in his pronunciation), alliteration, and kennings from Beowulf, arguing that Taylor's songwriting techniques echo these ancient devices. Dramatic irony is defined and applied: once you read one song, you enter the next with information the characters don't have. The concept of non-linear narrative is applied to the time disjunctures across the three songs. Uncle Jerry also notes the epistemological dimension, the songs are an examination of truth itself, as each narrator's perspective is valid but incomplete.

Literary Quotes Referenced

Uncle Jerry references the Beowulf kennings: 'whale road' for the open sea

'swan road' for a river

'mead benches' for the men who sit at them. He also quotes from Grease's 'Summer Nights': 'Summer lovin' had me a blast / Summer lovin' happened so fast / Met a girl crazy for me / Met a boy cute as can be.'

People & Figures Mentioned

Chase

Connections Across the Work

Motifs traced in this song

Recommended Reading

The Rashomon Effect: When Ethnographers Disagree; Disnarration and the performance of storytelling in Taylor Swift's folklore and evermore

In the Archive

In the archive:

augustView song →

5 themes traced

11 motifs traced

22 literary devices explored

5 literary references noted